KELLEN HOXWORTH
Teaching
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UNIVERSITY AT BUFFALO
"Black Theatre — Past and Present" (Graduate/Undergraduate Seminar" (SP23)
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"Performance Studies — Theory and Methods" (Graduate Seminar) (FL23)
"Performing America: Race, Class, Gender, and American Identities Onstage" (FL22, SP23)
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"Writing About Performance" (FL22, FL23)
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FLORIDA STATE UNIVERSITY
"African and Caribbean Theatre & Performance" (Graduate/Undergraduate Seminar) (SP21)
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"Research & Bibliography" (Graduate Seminar) (FL20, FL21)
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"Performance Theory" (Graduate Seminar) (SP20, SP22)
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"World Theatre History II" (SP20, SP21, SP22)
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"World Theatre History I" (FL19, FL 20, FL21)
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DARTMOUTH COLLEGE
"Race, Gender, and Performance" (WIN 19)
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"Theater & Society I: Classical and Medieval Performance" (FL 18)
"Theater & Society III: 19th and 20th Century Performance" (SP 18)
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"Postcolonial African Drama" (WIN 18)
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STANFORD UNIVERSITY
"Performing Feeling" (SP17), co-taught w/ Rebecca Chaleff
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STANFORD SUMMER ARTS INSTITUTE
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"Performing Feeling: Once More With Feeling" (SUM 16), co-taught w/ Rebecca Chaleff
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HUME CENTER FOR WRITING AND SPEAKING, STANFORD UNIVERSITY
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Writing Tutor (SP 14 - SP 17)
Oral Communication Tutor (SP 14 - SP 17)
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UNIVERSITY OF PITTSBURGH
Introduction to Theatre Arts (Teaching Assistant; Claire Syler, FL 11 & SP 12)
SELECTED GUEST LECTURES
"The Freed Slave," Honors Program Colloquium, Professor Annette Schwabe, Florida State University, October 8, 2020
"Race Goes Pop: Blackface Minstrelsy and the Globalization of Popular Performance," Popular Music and the Racial Imagination, Dr. Francesca Inglese, Dartmouth College, April 16, 2018
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"M. Butterfly: Staging Others, Theatres of Difference," Humanities 2, Professor Andrea Tarnowski, Dartmouth College, February 5, 2018
“Yaël Farber’s MoLoRa: Banishing Blood-grudge,” Revenge: From Aeschylus to ABC, Professor Diana Looser, Stanford University, May 24, 2016
“Persons and Things,” Performing Identities (Graduate Seminar), Professor Jisha Menon, Stanford University, February 29, 2016
“Music, Masks, Metaphysics: Theatrical Syncretism in Wole Soyinka’s Death and the King’s Horsemen,” Introduction to Theatre and Performance Studies, Professor Matthew W. Smith, Stanford University, April 14, 2015